Subject: ECA comment on
Towards an international instrument on cultural
diversity – Position paper of the Commission of the European Communities
COM(2003)520 final
The
European Council of Artists (ECA), representing multidisciplinary artists'
councils from 24 European countries, is a committed member of the International
Network for Cultural Diversity (INCD). ECA has contributed to the development
of an international instrument on cultural diversity within INCD.
The INCD
draft of this new instrument expresses the need to integrate, as far as possible and
as appropriate, the preservation and enhancement of cultural diversity into
relevant economic, international trade, social and environmental policies and
programs.
As
correctly quoted in the Commission document COM(2003)520final the Culture
Ministers on the occasion of their Thessaloniki meeting in May 2003 pointed out
that the new instrument should take into account the preparation already done
by the International Network of Cultural Policy (INCP), which had closely
co-operated with INCD. The Culture Ministers then stated: The basic international forum for cultural policies cannot be the WTO.
In the
UNESCO Secretariat document of 12 March 2003 on the objectives of the new
instrument the demands to respect the
individual rights of creators and artists and facilitate the circulation of
individuals, goods, services and knowledge linked to cultural acticity while
preserving stable areas of identity and creativity are included.
Furthermore: Such an instrument should
also ensure that each State is free to define its cultural policies, its
co-operartion agreements and its partnership initiatives in a global world.
ECA
welcomes the Commission’s recognition of cultural diversity as a major issue of
the international debate. In the light of all the documents quoted above
reflecting the conviction that such an instrument on cultural diversity signed
by the national states will have to include trade regulations, if it wants to
be more than lip-service, ECA rejects the attempts of the Commission to
safeguard that such instrument would not
affect and be without prejudice to the international legal framework applicable
to exchanges of cultural good and services.
In his
June speech at a network meeting on cultural diversity in Brussels ECA
president Jorge Bosso remarked: Cultural
diversity is still a meaningful concept, a possible tool for safeguarding
artistic production and services. But there is the great danger of misusing the
term as an air bubble, while irreversible decisions are made. We are
definitely standing at the crossroads. The European Commission does not want to
accept the obvious reality that cultural and artistic diversity can only
survive without constantly being threatened by competition law infringement or
similar WTO regulations. In this context ECA refers to the respective section
in the INCD draft:
Supporting
Cultural Diversity
8. Each Party undertakes
to provide, in accordance with its capabilities, financial support and
incentives in respect of activities which will achieve the objectives of this
Convention. These measures may include, but are not limited to:
procurement practices; the provision of subsidies and grants; or the granting
of any advantage, favour, privilege or immunity, including tariff and/or tax
preferences.
9. These financial supports and incentives may be
allocated in a manner which accords special, preferential, or more favourable
treatment to indigenous, or national forms of cultural expression where the
Party considers that such measures will support or achieve the objectives of
this Convention.
10. Such financial supports and incentives may be provided directly or
indirectly to individuals, institutions, state enterprises, associations,
non-governmental organizations or cultural enterprises.
11. The developed country Parties may also provide, and developing
country Parties avail themselves of, financial resources related to the
implementation of this Convention through bilateral, regional and other
multilateral channels.
12. The Parties shall take full account of the specific needs and special
situation of less developed countries in their actions with regard to funding
the international exchange of cultural goods and services.
Only an
instrument on cultural diversity that includes the economical side of the
problem can find the support of the European Council of Artists. ECA asks the
culture ministers to aim at their governments’ insistence on such a
comprehensive convention on cultural diversity.
Jorge
Bosso
President